Publications

SELECTED LITERARY PUBLICATIONS

“Seen and Overheard: a Year on the Bus in the Downtown Eastside.” New Limestone Review. Forthcoming, 2018.

“Highfield Street.” Taddle Creek. Forthcoming, 2018.

“The Southwest Rapist.” Can’t Lit: Fearless Fiction from Broken Pencil Magazine. Toronto: ECW P, 2009.

“Midnight Madness.” Matrix. 78. (Fall 2007): 54-57.

“Chained for Life: Excerpts from Trapeze.” Taddle Creek (Summer 2006): 32-35. http://www.taddlecreekmag.com/chained-for-life

“The Southwest Rapist.” Broken Pencil. 28 (2005). 76-78. http://www.brokenpencil.com/fiction/the-southwest-rapist

“Siamese Twins to Wed Escape Artist.” Excerpt from Trapeze. The Fiddlehead. vol. 225, Fall 2005, p. 94.

“Abscondini enters my side.”  Excerpt from Trapeze. The Fiddlehead. vol. 225, Fall 2005. p. 95.

“Autosite-Parasite.” Third Floor Lounge: An Anthology of Poetry from the Banff Centre for the Arts Writing Studio. littlefishcart press, 2004.p.  64.

“Clowns.” Third Floor Lounge. littlefishcart press, 2004.  p. 65.

“Despite the Sun.” Third Floor Lounge. littlefishcart press, 2004. p. 67.

“Step Right Up.” Third Floor Lounge.Orono, Ontario: littlefishcart press, 2004. 66.

“blue snails.” Antigonish Review. 121 (2000): 68.

“i enter.” Contemporary Verse 2. 17.2 (1994): 58.

ART WRITING

Catalogues
“Evocative Threshold’s: Edith Dakovic’s Mer-made Products/Seuils évocateur: les Mer-made Products d’Edith Dakovic.” Gatineau, Quebec: Centre d’artistes AXENÉ07, 2007.

Articles for Sketch: The Magazine of OCAD University
“Creative Shape Shifters: AmoebaCorp’s Mike Keller and Mikey Richardson.” (Winter 2011): 18-19.

“Vanessa Harden: Covert Gardening and Interspecies Collaboration.” (Winter 2011): 22-23.

“A Mindset of Openness: An Interview With Jane Ngobia.” (Spring 2010): 5.

“Play as Work: New Hires at OCAD University.” (Spring 2010): 6-7.

“The Multiversity: Internationalization at OCAD University.” (Spring 2010): 4.

“A Creative Solution: Match Funds for Student Bursaries.” (Winter 2010): 8-9.

“OCAD’s International Connections: B. Lynn Milgram Receives OCAD Distinguished Researcher Award.” ( 2010): 14-15.

“Joe Shouldice: From Rotten Bananas to 250,000 Pennies.” (Winter 2010): 22-23.

“Creating Community: Continuing Studies for Art and Design Professionals.” (Spring 2009): 4.

“OCAD Alum Kevin Lockau Wins the 2009 Saidye Bronfman Award.” (Spring 2009): 20.

“Elephants and Robotic Chairs: Matt Donovan’s Intuitive Fabrications.” (Spring 2009): 22-23.

“From Architects to Best Boys: Graduate Students at OCAD.” (Winter 2009): 14-16.

“The Aesthetic is the Interaction: Gorbet Design. Sketch. (Winter 2009): 22-23.

“Investing in the Digital Future.” (Spring 2008): 4.

“Mapping Diversity at OCAD’s Professional Gallery.” (Spring 2008): 5.

“Designers Needed for Brain Implants: Health Care and Design in the 21st Century.” (Sp. 2008): 7-9.

“Designers Develop Database of Head Shapes.” (Spring 2008): 16-17.

“OCAD’s Emergency Preparedness Plan.” (Fall 2007): 5.

“The Changing Face of Curating: Criticism and Curatorial Practice at OCAD.” (Fall 2007): 8-11.

“Edith Dakovic: Sculpting a Second Skin.” (Fall 2007): 22-23.

“Alumni Notes: Andres Pang’s Sound Installation; Keesic Douglas Receives Award; Michael Snow Receives Mocca Award; Ken Danby; Superplastic; Tsimshian Collection.” (F 2007): 18-21.

“Interactive Convergence: Research and Development at OCAD’s Mobile Media Lab.” (Sp 2007): 12-15.

Integrating Art, Design and Technology: Judith Doyle and Job Rutgers.” (Fall 2006): 12-15.

“Synergy and Skills: Interdisciplinary Work at OCAD.” (Spring 2006): 13-15.

“Innovative Risk Taking: Research at OCAD.” (Fall 2005): 10-11.

“Closing the ‘Imagination Gap: The Beal Centre for Strategic Creativity.” (Fall 2005). 11-12.

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